'Othello and Guess Who’s Coming to Dinner Comparative Essay\r'

'The transformation amidst Othello, a 16th century Shakespe atomic number 18an calamity and Guess Who’s culmination to Dinner, a 1960’s Romantic Comedy, can be compared by addressing themes that are present in from each one text. The theme of speed up can be used to compare the polar attitudes of each context, surrounding the significant black characters of Othello in Othello and John in Guess Who’s Coming to Dinner, and there interaction with fair females that belong to an amphetamine middle class.\r\nThe theme of interracial trades unions can be used to compare the distinct values and attitudes of each context, towards a black & white marriage. This applies to both(prenominal) Othello & Desdemona and John & Joanna. By exploring the various contexts, ideas and techniques incorporated into each text, we can apprehend the different messages that each composer has attempted to convey to their audience.\r\nOthello †Power of respect\r\nOt hello is a Shakespearean tragedy, set in Elizabethan Times that present the affinity between, Othello, a ‘ secure’ who’s an official in the Venetian the States and Desdemona, the daughter of a noble Venetian Senator, Brabantio, and how scorn their different experiences in love, a strong relationship can occur, without any initial external input. Desdemona’s assertive behaviour towards romantic exclusivelyy pursing Othello, demonstrates her confidence and designer, which she maintains throughout the play. Most significantly, the fact that Othello did not ask for Brabantio’s permission to marry Desdemona, demonstrates how Othello did not consider the tralatitious values of Elizabeth society. However as they play develops, Iago’s manipulation of Othello’s insecurities, leads to the relationship between Othello and Desdemona move apart.\r\nThis reflects Elizabethan society and its values towards love and marriage.\r\nIn Elizabethan t imes, a marriage between a man and a woman was considered extremely important. Women were for the most part considered to be in the possession of their father, this was because men were considered effectual and important people. It was in the father’s power to determine whom their daughter married, provided that his family were respectable and had money. A marriage between a ‘moor’ and a white would not have been socially acceptable in Elizabethan times, seeing that the Moorish skin falsify portrayed a sense of filth and evil. Whites creation superior and educated, while others were considered inferior.\r\nThis theme can be explored through the objectification of Desdemona in scene 1 diddle 3 Lines 182-187 â€Å"How to respect you. You are lord of all my duty: I am hitherto your daughter. besides here’s my husband: And so more than duty as many mother showed To you, preferring you onwards her father, so much I challenge that I may profess Due to t he moor, my lord.” We see that Desdemona, is detaching herself from her father, meet as her mother did to her father. This demonstrates her power and her ability to imbibe decisions despite her father’s approval.\r\n'