Ealry Film :: essays papers

Ealry FilmBeing able to experience execution has occupied the hu humanity psyche sine primitive times. This is unequivocal through the Lascaux cave paintings which depict buffalo with multiplelegs in a attempt to represent the animal running. Other simple innovations also conduct to the motion picture, these optical toys demonstrated the eyes persistence of vision.These toys grew much advanced, but feelinglike motion could not be achieved until the photographic operation was nearly perfected. In the 1870s Eadweard Muybridge was successful in capturing the complete motion of a horse galloping. This was the first step in bringing pictures to life. The conterminousinvention came from a Rev. Hannibal Goodwin, who devised a thin, flexible, plastic base he called celluloid, on which could be put photosensitive material. George Eastman was the first to market this celluloid film, and in 1890 Thomas Edison and William Dicksom successfully tested the Kinescope. The first motion pictur e captured and secure on this Kinescope was titled The Sneeze, which is simply a man sneezing. Edison continued to make short films in his studio, nicknamed the Black Maria. His shorts commonly were comprised of people performing vaudeville acts as a form of sideshow attraction. These films would be cyphered in Kinescope parlors, from large wooden boxes with a eyepiece on top. On the other side of the Atlantic, in France, the Lumieres brothers improve on Edisons Kinescope, and bring to pass the Cinematograph, a smaller more portable camera, that canfilm and view motion pictures. With this new Cinematograph, the Lumieres brothers were able to film and then project the crossway for an audience. They filmed what was around them, daily life for upper-middle class Europeans, their first was a whole group of people leaving a factory at the end of a work day. Simple, but for its time it was amazing, seeing roll in the hay people walking around and moving just as they ordinarily woul d, but on a big screen These types of films became the Lumieres trademark, slice of life documentary work that would be shown in front of audiences. One of the Lumieres films comer of a Train in the Cioat Station, was a train coming immediately for the camera on an angle, that terrified the viewers.Edison continued to make films, under his own, controlled conditions. Although two Edison and the Lumieres, saw the motion picture as nothing more than a sideshow act and both filmed very documentary-esque work, each had their own criteria for filming.